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| Hurqalia |
| Posted: 14-01-2007 |
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Group:
Posts: 15
Member No.: 267545
Joined: 16-12-2006
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John Zorn Moonchild (2006)
John Zorn; Mike Patton (vocals); Trevor Dunn (bass instrument); Joey Baron (drums)
Tracklist :
1. Hellfire
2. Ghosts Of Thelema
3. Abraxas
4. Possession
5. Caligula
6. 616
7. Equinox
8. Moonchild
9. Le Part Maudit
10. Summoning, The
11. Sorceress |
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| WithaRt |
| Posted: 14-01-2007 |
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Group:
Posts: 261
Member No.: 62030
Joined: 08-06-2005
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ifolder ?  |
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| volhvuj |
| Posted: 17-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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John Zorn - Filmworks XVIII: The Treatment (2006)
For Oren Rudavsky’s new romantic comedy, Zorn has put together a new quartet with a fresh new sound. Drawing upon the modern tango of Piazzolla with a touch of minimalism, this dynamic quartet of violin, accordion, vibes and bass is modern instrumental music at its creative best. At times upbeat and humorous, at times dark and moody, the music combines a soaring lyricism with interlocking counterpoint and complex rhythmic tapestries. Featuring guitar genius Marc Ribot in a supportive role on several tracks, this is one of Zorn’s finest scores. A remarkable listening experience from start to finish.
Personnel:
Shanir Ezra Blumenkranz: Bass
Rob Burger: Accordion
Mark Feldman: Violin
Kenny Wollesen: Vibraphone
Special Guest
Marc Ribot: Guitar
Это добрая разновидность Зорна: никакого авангарда, никаких безумных соло на саксофоне, никаких вопящих японцев и майков паттонов. Всё красиво и благопристойно.
ifolder |
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| volhvuj |
| Posted: 18-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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вотъ. тут кто-то просил вроде.
Painkiller - 50th Birthday Celebration Vol. 12 (2005)
A powerful and breathtaking meeting of masters. With the tight rhythm section of Laswell and Drake, who have a long history working together in a variety of bands and contexts, and the empathetic insanity of Patton and Zorn, this set was as much of a surprise to the musicians as it was to the pumped up crowd that were lucky enough to hear it that night. Although billed as Painkiller, this once in a lifetime unit was really something completely different. At times hilarious, exhilarating, outrageous and transcendent, this is music only the New American Underground could create. East Coast meets West Coast meets Midwest: New York, California and Chicago come together in this twisted, funky improviser’s paradise.
Personnel:
Bill Laswell: Bass
John Zorn: Saxophone
Hamid Drake: Drums
Mike Patton: Voice
ifolder
Надо еще Зорна? Еще есть в наличии:
Bar Kokhba (1996)
Bar Kokhba Sextet - 50th Birthday Celebration Volume 11 (2005)
Electric Masada - 50th Birthday Celebration Volume 4 (2004)
Electric Masada - At The Mountains Of Madness (2005)
John Zorn - Filmworks IX - Trembling Before G-D (2000)
John Zorn - Filmworks X - In the Mirror of Maya Deren (2001)
John Zorn - Filmworks XII - Three Documentaries (2002)
John Zorn - Filmworks XIII - Invitation to a Suicide (2002)
John Zorn - Filmworks XIV - Hiding and Seeking (2003)
John Zorn - Filmworks XV - Protocols of Zion (2005)
John Zorn - Filmworks XVI - Workingman's Death (2005)
John Zorn - Filmworks XVII - Notes on Marie Menken (2006)
John Zorn - The Gift (2001)
John Zorn - Music Romance, Vol. 4 I.A.O (2002)
John Zorn - Kristallnacht (1995)
Masada - Live In Middelheim (1999)
Masada - Tet (1998)
Masada - Zayin (1999)
Naked City - Black Box (1992)
Painkiller - Buried Secrets (1991)
Painkiller - Guts Of A Virgin (1991)
Painkiller - Execution Ground (1994)
Voices in the Wilderness (2003)
Zorn, Douglas, Laswell, Patton, Burger, Perowsky - The Stone - Issue One (2005)
Rashanim - Masada Anniversary Edition Vol. 5: Masada Rock (2005)
V/A - Masada Anniversary Edition Vol. 3: The Unknown Masada (2003)
Masada Guitars (2003)
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| abbon |
| Posted: 20-01-2007 |
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Group:
Posts: 11
Member No.: 225884
Joined: 28-08-2006
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Спасибо, volhvuj.
Еще хотелось бы послушать:
Bar Kokhba (1996)
Masada - Tet (1998)
Electric Masada - At The Mountains Of Madness (2005) |
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| puramour |
| Posted: 20-01-2007 |
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Group:
Posts: 35
Member No.: 242713
Joined: 16-10-2006
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masada zayin
please! |
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| volhvuj |
| Posted: 22-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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ок, залью потихоньку |
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| Kingpin |
| Posted: 22-01-2007 |
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Group:
Posts: 1230
Member No.: 13883
Joined: 03-02-2005
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volhvuj
| Цитата: | | Это добрая разновидность Зорна: никакого авангарда, никаких безумных соло на саксофоне, никаких вопящих японцев и майков паттонов. Всё красиво и благопристойно. |
а нет ли еще такой разновидности Зорна?  Просто я в его творчестве пока не особо разбираюсь, а его добрая сторона гораздо сильнее греет душу, чем крики Паттона. |
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| volhvuj |
| Posted: 22-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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John Zorn - Bar Kokhba (1996)
Masada has quickly become one of John Zorn's most popular and adventurous musical projects. These special arrangements for small ensembles of strings, keyboards and clarinets, shed new light on his book of inspiring compositions expanding the Jewish tradition. Bar Kokhba presents over two hours of dark, passionate and evocative Jewish music, featuring some of New York City's finest musicians.
This double-CD is the long-awaited first American release of Zorn's Masada material, featuring startling new chamber arrangements of music from the six Masada albums on Avant (Japan).
Personnel:
Greg Cohen: Bass
Anthony Coleman: Piano
Dave Douglas: Trumpet
Mark Dresser: Bass
Mark Feldman: Violin
Erik Friedlander: Cello
David Krakauer: Clarinet
John Medeski: Organ, Piano
Marc Ribot: Guitar
Chris Speed: Clarinet
Kenny Wollesen: Drums
CD 1, ifolder, 58.86 Мб
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| volhvuj |
| Posted: 22-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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John Zorn - Bar Kokhba (1996) (CD2)
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| alk |
| Posted: 23-01-2007 |
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Group:
Posts: 278
Member No.: 13193
Joined: 02-02-2005
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Kingpin - другая добрая разновидность это
John Zorn - Filmworks XIII - Invitation to a Suicide (2002)
Несмотря на название, чудесный мелодичный альбом.
http://www.allmusic.com/cg/amg.dll?p=amg&t...10:dm8zefbk3gfj
...
In this way, elements of Astor Piazzolla's tangos, Morricone's westerns and gangster films, Rota's intimate celebrations of quirkiness and geography, and a funky swing that blends blues, jazz, rock, and kitsch get woven into a signature that is particularly Zorn's. Film Works, Vol. 13: Invitation to a Suicide is at once Zorn's most mysterious and, paradoxically, most accessible soundtrack.
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| WithaRt |
| Posted: 23-01-2007 |
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Group:
Posts: 261
Member No.: 62030
Joined: 08-06-2005
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volhvuj
Naked City - Black Box (1992)
Painkiller - Guts Of A Virgin (1991)
Painkiller - Execution Ground (1994)
Очень бы хотелось эти альбомы 
Добавлено:
Zorn, Douglas, Laswell, Patton, Burger, Perowsky - The Stone - Issue One (2005)
и вот этот еще
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| volhvuj |
| Posted: 23-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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Masada - Zayin (1999)
's seventh volume sounds almost like an odds-and-sods collection. It's a more fragmentary and disparate disc that doesn't have much musical middle ground -- the extremes between the group's atonal free improv bursts and its more melodic or atmospheric pieces are very pronounced. "Shevet" has a more overt klezmer influence and almost timbales tones from Joey Baron, while the segmented "Hath-Arob" is very Ornette Coleman-like before breaking down into free-blow sections. If the John Zorn-Dave Douglas exchanges seem a little more measured than usual at first, their dialogue continues nicely on "Mashlav"; it's Baron, using muted drums more than his customary cymbal clicks, who provides the novel element. But then "Shamor" alternates impressionistic, melodic wisps with outside blasts and "Bacharach" tosses off 80 old-timey, atypically sunny seconds as a prelude to "Otiot," a three-and-a-half-minute bass feature for Greg Cohen. The fragmentary "Nevuah" lacks the frantic frenzy of most of Masada's discs and the atmospheric "Kedem" never changes its low-key character over nearly ten minutes. The last three tracks are another mixed bag, and truthfully it's hard to get a handle on Masada, Vol. 7: Zayin. The music flies all over the map and it sounds like Masada is just wrapping up loose ends or spewing out material based on Zorn's concepts that could have stayed out in the woodshed. Although it's good to hear the group taking some different roads, this is a minor entry in its catalog.
part 1
part 2
alk
точно, Filmworks XIII офигенный альбом, один из любимых наверно. как-нибудь надо залить при случае
Добавлено:
Naked City - Black Box (1992)
This two-CD set was first released by John Zorn in Japan in the early 1990s. It couldn't be sold in the United States because of the cover art, now concealed within the Black Box. These are Zorn's most horrific inspirations--Torture Garden incited by the images of Japanese sadomasochist pornography contained herein, Leng Tch'e by photographs of a Chinese public execution involving extended torture. A key part of Zorn's aesthetic is to create a musical methodology that matches his subject matter, or, conversely, to find a subject that matches his compositional methods. Like Artaud's Theatre of Cruelty, William S. Burrough's cut-up method, or the cutting and pasting of collage, Zorn's methods mimic violence, creating new forms out of the torture and destruction of the old. Torture Garden and Leng Tch'e are, literally, the short and the long of it. Torture Garden consists of 42 tracks, the longest of which is a minute and 14 seconds, the shortest a scant 10 seconds. Musical genres are literally cut up and stuck together, snippets of free jazz, lounge, country and western, pop (ancient and modern), and classical colliding and overlapping in a kind of cultural shock treatment.
The 32-minute Leng Tch'e is drawn out to excruciating lengths in its simulation of the agony (and ecstasies) of torture and death. Throughout the two discs, the execution is at a very high level. With Bill Frisell on guitar, Fred Frith on bass, Joey Baron on drums, Wayne Horvitz on keyboards, and vocalist Yamatsuka Eye of the acclaimed Boredoms), Naked City combines many of Zorn's most talented collaborators, and it inspires some of his most brutish and brilliant alto saxophone playing. The Black Box creates a literal connection between "hard core" music and hard-core pornography. To say that it isn't for the squeamish is understatement.
Personnel:
Joey Baron: Drums
Yamataka Eye: Voice
Bill Frisell: Guitar
Fred Frith: Bass
Wayne Horvitz: Keyboard
John Zorn: Alto Saxophone, Vocals
ifolder, 76.78 Мб, 192kbps
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| puramour |
| Posted: 23-01-2007 |
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Group:
Posts: 35
Member No.: 242713
Joined: 16-10-2006
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thanks a lot volhvuj for masada 7!:D
i have now masada 1-2-3-4-5-6-7, when someone want them, tell me!
and i'm still looking for masada 8-9-10.. |
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| volhvuj |
| Posted: 23-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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Electric Masada - At The Mountains Of Madness (2005) (CD 1)
Electric Masada combines the raw power and manic speed of Naked City, the improvisational edge of Cobra and the spiritual lyricism of the Masada songbook. Their second release captures them at the end of a long European tour, at the very peak of their powers. Tight as a drum and as hot as a blow torch, these two incredible live performances will leave you breathless. Featuring a level of musical communication, excitement, versatility and complexity very few bands have been able to attain, this is Zorn at his very best. Astonishing group conductions, searing solos and crazed insanity from one of the most amazing bands Zorn has ever had.
Personnel:
Cyro Baptista: Percussion
Joey Baron: Drums
Trevor Dunn: Bass
Ikue Mori: Electronics
Marc Ribot: Guitar
Jamie Saft: Keyboards
Kenny Wollesen: Drums
John Zorn: Alto Sax
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| Kingpin |
| Posted: 23-01-2007 |
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Group:
Posts: 1230
Member No.: 13883
Joined: 03-02-2005
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| Цитата: | | точно, Filmworks XIII офигенный альбом, один из любимых наверно. как-нибудь надо залить при случае |
volhvuj
Буду благодарен |
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| volhvuj |
| Posted: 24-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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John Zorn - Filmworks XIII - Invitation to a Suicide (2002)
2002 proves to be a watershed year for Zorn, with this being his fifth film score in three months. Here, a taste of Ennio Morricone, Astor Piazzola, French musette and Nino Rota make up what is perhaps his greatest film score to date. At times bizarre, haunting, exhilarating and powerful, the lush sonorities of this dynamic group will surprise you as much as it did Zorn himself. A romantic new lyricism. A remarkable new direction. Unexpected, inevitable and absolutely essential.
Personnel:
Rob Burger: Accordion
Trevor Dunn: Bass
Erik Friedlander: Cello
Marc Ribot: Guitar
Kenny Wollesen: Vibraphone, Marimba, Drums
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| volhvuj |
| Posted: 24-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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Painkiller - Execution Ground (1994)
This is music unlike anything i've heard (besides other Zorn stuff). The moment I put it in my CD player I am trapped, unable to tear myself away, or even divert my attention elsewhere. Especially the first three tracks. There's always something interesting going on. All three musicians deliver superb performances. Zorn doing his "torture victim" style of saxophone playing, and even more normal jazzy playing, to my favorite, that creepy microtonal phase that sounds like several torture victims. Harris manages to straddle these lengthy improvisations without just repeating a drum pattern over and over, he always varies the groundwork in interesting and occasionally attention-grabbing ways. And Laswell he seems to prefer to stay in the background most of the time, letting his simple bass lines create the perfect atmosphere for everyone else. I think the ambient disc works more on a subconscious level, so I try to do something else while it plays, and it certainly creates a different kind of ambience, not harsh noise, but not dreamy new-age stuff. If you can find it I highly suggest picking it up ... NOW!
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| volhvuj |
| Posted: 24-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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Painkiller - Guts Of A Virgin (1991)
In 1991, Zorn got together with Mick Harris (drums) and Bill Laswell (bass) to form the ultimate hardcore band, Painkiller. It's an experiment in improvised noise.
On Guts of a Virgin, their first album, the songs are fast and chaotic. Harris and Laswell play something heavy for a moment, then Zorn comes in, screeching with his saxophone. They improvise a little, pounding and squealing, until the song suddenly ends.
That's it. Sometimes the only difference between one song and another is the length.
On each track, it sounds like a song is trying to emerge. The improvised chaos is turning into real music. But it never comes together. It's always on the wrong side of the chaos/music threshhold.
In a way, it's impressive. It's so fucking shrill you want to applaud. But it's too indulgent to enjoy. It sounds like three guys being loud just for the sake of being loud.
It might have worked better if Zorn did something other than screech. If he played low notes, this album would be fun to listen to. But he's too predictable.
But the Painkiller experiment works no matter what anyone thinks of it. If you love it, that's good. If you don't, Zorn can say, "It's supposed to be shrill noise. It's supposed to be painful."
качать |
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| volhvuj |
| Posted: 24-01-2007 |
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Group:
Posts: 51
Member No.: 127454
Joined: 28-11-2005
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Masada - Tet (1998)
Recorded at Avatar, New York, New York on April 21, 1997. This volume in the Masada series features 10 tracks. Masada is often referred to as John Zorn's "klezmer" group. Though Zorn composes all of Masada's music in one of two "Jewish scales" (either a major scale with a second note flat or a minor scale with the fourth note sharp), the ensemble is actually difficult to categorize. Saxophonist Zorn, trumpeter Dave Douglas, bassist Greg Cohen, and drummer Joey Baron fuse traditional hard bop, noir-ish atmospherics, Ornette Coleman-style free-improv, beautiful, ghostly melodies, and even Latin rhythmic elements while dressing the whole in klezmer's clothes. TET, the ninth Masada release, is regarded as the band's finest effort by some Zorn aficionados. Though a few cuts veer off into full-tilt avant-garde sonic explorations (during which one is reminded that notoriously aggressive noise-meister Zorn is at the helm), much of TET surprises with its accessibility. The achingly lovely "Moshav," the pulsing "Kochot," and the album's spectacular centerpiece, "Meholalot," will appeal to straight-ahead jazz fans and Zorn enthusiasts alike. TET is especially remarkable for the prominence of Baron's superb drumming. As displayed to good effect on the opening track and "Meholalot," it seems at once primal and strikingly sophisticated. Like Baron, Douglas and Cohen are masterful, remarkably inventive players. Their musicianship and Zorn's excellent compositions make TET an album worth owning.
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