|Texas guitarist Gary Clark, Jr. has been compared to guitar icons like Jimi Hendrix and Stevie Ray Vaughan, and his playing is a powerful and inspired mix of blues roots with contemporary soul and hip-hop, and when he’s rolling at his best, he sounds like nothing so much as a natural hybrid of both the past and the future of the blues. Born and raised in Austin, Texas, Clark first picked up a guitar at the age of 12 and spent his teens playing whatever gig he could get in the Austin area, eventually...|
- Mayor of Austin, Kirk Watson, proclaimed May 3, 2001 Gary Clark Jr. Day. Clark was seventeen years old at the time. Clark won the Austin Music Award for Best Blues and Electric Guitarist, on three different occasions.
- Clark was SPIN magazine's breakout artist for the month of November 2011.
- Rolling Stone magazine ranked Clark's Bright Lights EP number 40 on its list of its top 50 albums of 2011.
2011: The Bright Lights
01. Bright Lights [00:05:24]
02. Don't Owe You a Thang [00:03:35]
03. Things Are Changin' (Live) [Solo Acoustic] [00:04:31]
04. When My Train Pulls In (Live) [Solo Acoustic] [00:08:13]
|Precocious young guitarist Gary Clark Jr. graduated from Austin’s venerable juke joint circuit with the release of the Bright Lights EP, a tantalizingly brief four-track release for Warner Brothers that matches two hard charging, muscular blues rock workouts with a pair of understated acoustic recordings. Before the Bright Lights release Clark was best known for his star turn as an itinerant bluesman in John Sayle’s 2007 film Honeydripper, an imaginative reconstruction of the moment when Texas blues was transformed by the introduction of the electric guitar. Clark effectively channels the spirit of Honeydripper’s post-war blues milieu on Bright Lights’ title track, which devilishly borrows the central refrain of Jimmy Reed’s “Bright Lights, Big City” and yokes it to a crushingly distorted guitar riff that could easily have been conceived by latter day punk-blues darlings like Jack White or Dan Auerbach. It is Clark’s repeatedly demonstrated ability to effortlessly execute such unaffected fusions of contemporary influences and classic blues tropes that makes Bright Lights such a compelling listen.|
the sun in the open sky