Цитата:We didn’t see (or, more exactly, heard) this coming. How could we expect a band like The Heat Death to turn their attention to the music of Glenn Miller? But here it is, once again confirming the notion that everything is possible when coming from the Scandinavian scene. Truth is that this quintet always had an orchestral approach, in the organization of the collective inputs and due to the doubling of instruments, Kjetil Møster playing clarinet besides his tenor saxophone and Martin Küchen turning to the flute when not playing the alto sax, summing up with the presence of a pasting trombone (Mats Aleklint) to unite every part, but what they use to do was miles way from the swing big band Miller’s sound: a free improvised music metamorphing to free jazz, sometimes with African rhythms, reminding us of Chris McGregor’s Brotherhood of Breath, and sometimes with the repetitive, “motorik” balance of krautrock, not so strange when we think that Can’s drummer, Jaki Liebezeit, was an original member of Alexander von Schllipenbach’s Globe Unity Orchestra. But here it is, introducing a new form to understand the problem with thermodynamic energy known by science as “the heat death”. If there was a compositional factor in the way this group used to improvise, finding structures when there wasn’t one, now they deal with it in a more committed way. Of course, the resulting music has few resemblances to what the Glenn Miller Orchestra continue to do until this day, but the spirit is there, exploring aspects which were implicit, but never fulfilled, with all the respect to the historic figure who conceived it. Prepare yourself to be surprised.
z4badak, у кого?..Цитата: z4badakу кобылы с авесомычем,
мне понравилось напряжение, длинные композиции слушаются тут на одном дыханииЦитата: z4badakОбычная фри-импровизация, которой море.
в голову даже не пришло, что можно caballo de fuerza назвать кобылойЦитата: z4badakКобыла с Авесомычем - это два джазовых блогера caballo de fuerza и aw-jazz
так это с позиции музыкантовЦитата: z4badakВ 60-е на языке фри пытались разговаривать с богом, но сейчас это выглядит неинтересно.
Цитата:Singer/composer Sara Serpa releases Close Up, a conceptual album inspired by experimentation and changing identities.
Close Up, to be released March 16th 2018, via Clean Feed, presents Serpa’s new trio with saxophonist Ingrid Laubrock and cellist Erik Friedlander exploring an exposed and hyper detailed soundscape of original compositions.
“Serpa is a fresh and riveting presence on the vocal-jazz landscape.”– Nate Chinen, JazzTimes
“Serpa possesses a preternatural cool, injecting weightless sophistication and melodic grace into everything she touches.” – Peter Margasak, Chicago Reader
“Serpa moves easily between traditional jazz vocalism, improvisation, and new music, and has one of the most elegant and beautiful voices on the scene.”– George Grella, The Brooklyn Rail
clean feed
Привет, Гость